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Fact also indicates a ''matter under discussion'' deemed to be true or correct, such as to emphasize a point or prove a disputed issue; (e.g., "... the ''fact'' of the matter is ...").
Alternatively, ''fact'' may also indicate an ''allegation or stipulation'' of something that may or may not be a "true fact", (e.g., "the author's facts are not trustworthy"). This alternate usage, although contested by some, has a long history in standard English.
Fact may also indicate findings derived through a ''process of evaluation'', including review of testimony, direct observation, or otherwise; as distinguishable from matters of inference or speculation. This use is reflected in the terms "fact-find" and "fact-finder" (e.g., "set up a fact-finding commission").
Facts may be checked by reason, experiment, personal experience, or may be argued from authority. Roger Bacon wrote "If in other sciences we should arrive at certainty without doubt and truth without error, it behooves us to place the foundations of knowledge in mathematics."
Facts may be understood as that which makes a true sentence true. Facts may also be understood as those things to which a true sentence refers. The statement "Jupiter is the largest planet in the solar system" is ''about'' the fact Jupiter is the largest planet in the solar system.
Misunderstanding of the difference between fact and theory sometimes leads to fallacy in rhetoric, in which one person will say his or her claim is factual whereas the opponent's claim is just theory. Such statements indicate confusion as to the meanings of both words, suggesting the speaker believes that ''fact'' means "truth," and ''theory'' means "speculation."
The Slingshot argument claims to show that all true statements stand for the same thing - the truth value ''true''. If this argument holds, and facts are taken to be what true statements stand for, then we reach the counter-intuitive conclusion that there is only one fact - "the truth".
Difficulties arise, however, in attempting to identify the constituent parts of negative, modal, disjunctive, or moral facts.
Moral philosophers since David Hume have debated whether values are objective, and thus factual. In ''A Treatise of Human Nature'' Hume pointed out there is no obvious way for a series of statements about what ''ought'' to be the case to be derived from a series of statements of what ''is'' the case. Those who insist there is a logical gulf between facts and values, such that it is fallacious to attempt to derive values from facts, include G. E. Moore, who called attempting to do so the Naturalistic fallacy.
Factuality — what has occurred — can also be contrasted with counterfactuality — what ''might have'' occurred, but did not. A counterfactual conditional or subjunctive conditional is a conditional (or "if-then") statement indicating what ''would be'' the case if events had been other than they actually are. For example, "If Alexander had lived, his empire would have been greater than Rome". This is to be contrasted with an indicative conditional, which indicates what ''is'' (in fact) the case if its antecedent ''is'' (in fact) true — for example, "if you drink this, it will make you well".
Such sentences are important to Modal logic, especially since the development of Possible world semantics.
Just as in philosophy, the scientific concept of fact is central to fundamental questions regarding the nature, methods, scope and validity of scientific reasoning.
In the most basic sense, a scientific ''fact'' is an objective and verifiable observation, in contrast with a ''hypothesis'' or ''theory'', which is intended to explain or interpret facts. (For an example, see Evolution as theory and fact.)
Various scholars have offered significant refinements to this basic formulation, some of which are detailed below. Also, rigorous scientific use of the term "fact" is careful to distinguish: 1) ''states of affairs'' in the external world; from 2) ''assertions'' of fact that may be considered relevant in scientific analysis. The term is used in both senses in the philosophy of science.
Consistent with the theory of confirmation holism, some scholars assert "fact" to be necessarily "theory-laden" to some degree. Thomas Kuhn and others pointed out that knowing what facts to measure, and how to measure them, requires the use of some other theory (e.g., age of fossils is based on radiocarbon dating which is justified by reasoning that radioactive decay follows a Poisson process rather than a Bernoulli process). Similarly, Percy Williams Bridgman is credited with the methodological position known as operationalism, which asserts that all observations are not only influenced, but necessarily ''defined'' by the means and assumptions used to measure them.
A common rhetorical cliché states, ''"History is written by the winners".'' This phrase suggests but does not examine the use of facts in the writing of history.
E. H. Carr in his 1961 volume, ''What is History?'', argues that the inherent biases from the gathering of facts makes the objective truth of any historical perspective idealistic and impossible. Facts are, "like fish in the Ocean," of which we may only happen to catch a few, only an indication of what is below the surface. Even a dragnet cannot tell us for certain what it would be like to live below the Ocean's surface. Even if we do not discard any facts (or fish) presented, we will always miss the majority; the site of our fishing, the methods undertaken, the weather and even luck play a vital role in what we will catch. Additionally, the composition of history is inevitably made up by the compilation of many different bias of fact finding - all compounded over time. He concludes that for a historian to attempt a more objective method, one must accept that history can only aspire to a conversation of the present with the past - and that one's methods of fact gathering should be openly examined. As with science, historical truth and facts will therefore change over time and reflect only the present consensus (if that).
These include:
an element required in legal pleadings to demonstrate a cause of action;
the determinations of the finder of fact after evaluating admissible evidence produced in a trial or hearing; a potential ground of reversible error forwarded on appeal in an appellate court; and any of various matters subject to investigation by official authority to establish whether a crime has been perpetrated, and to establish culpability.
Category:Critical thinking Category:Reality Category:Units of information (cognitive processes) Category:Philosophy of science Category:Concepts in epistemology
az:Fakt bg:Факт ca:Fet cs:Fakt da:Kendsgerning (videnskab) de:Tatsache et:Fakt es:Hecho (filosofía) eo:Fakto gl:Feito ko:사실 hr:Činjenica id:Fakta is:Staðreynd it:Fatto he:עובדה kk:Факт lt:Faktas hu:Tény mk:Факт mt:Fatti mn:Баримт nl:Feit ja:事実 no:Faktum pl:Fakt ru:Факт scn:Fattu simple:Fact sk:Fakt fi:Tosiasia sv:Faktum tr:Olgu uk:Факт yi:פאקט zh:事實This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
| name | Manoj Kumar |
|---|---|
| birth name | Harikrishna Giri Goswami |
| birth date | July 24, 1937 |
| birth place | Abbottabad, Hazara Division, British India (now Pakistan) |
| occupation | Actor , Director |
| yearsactive | 1964–present (Retired) |
| spouse | Sashi Goswami |
| othername | Bharat Kumar Manoj }} |
Manoj Kumar (born Harikrishna Giri Goswami on 24 July 1937) is an award-winning Indian actor and director in the Bollywood film industry. He is known for acting in and directing films with patriotic themes, and has been given the nickname "Mr Bharat" (Bhaarat is the Sanskrit and Hindi term for India). In 1992, he was honoured with the Padma Shri by the Government of India.
After graduating from Hindu College, University of Delhi, he decided to enter the film industry.
After making a little-noticed début in ''Fashion'' in 1957, Manoj landed his first leading role in ''Kaanch Ki Gudia'' (1960) opposite Sayeeda Khan. ''Piya Milan Ki Aas'' and ''Reshmi Roomal'' followed, setting the stage for the Vijay Bhatt-directed ''Hariyali Aur Raasta'' (1962) opposite Mala Sinha. Kumar then appeared with Sadhana in Raj Khosla's ''Woh Kaun Thi'' (1964), and reunited with Vijay Bhatt and Mala Sinha in ''Himalaya Ki God Mein'' (1965).
The result was Kumar's magnum opus and his directorial debut, ''Upkaar'' (1967). In it, he played both a soldier and a farmer. The film was also noted for the famous song ''Mere Desh Ki Dharti'', written by Gulshan Bawra, composed by Kalyanji-Anandji and sung by Mahendra Kapoor. ''Upkaar'' was a hit and won Kumar his first Filmfare Best Director Award.
After dabbling in various roles in the late 1960s, Manoj returned to patriotic themes in ''Purab Aur Paschim'' (1970), in which life in the East and West are juxtaposed. In 1972, he starred in ''Be-Imaan'' (for which he won the Filmfare Best Actor Award) and directed and starred in ''Shor'' (1972). The latter, opposite Nanda, was not a huge box office success, but it did feature the memorable song ''Ek Pyar Ka Nagma Hai'', a duet by Lata Mangeshkar and Mukesh, which was composed by Laxmikant Pyarelal.
After ''Kranti'', Kumar's career began to decline in the 1980s as all of his films failed at the box office. In 1989 he cast Pakistani actors Mohammad Ali and Zeba in his film ''Clerk'' which was considered to be a groundbreaking event. He quit acting after his appearance in the 1995 film ''Maidan-E-Jung''. His son, Kunal Goswami, tried to revive the patriotic theme and was directed by Kumar in the 1999 film ''Jai Hind'' which was a flop. Kumar was awarded the Filmfare Lifetime Achievement Award that same year.
His trademark hand-covering-the-face was very popular and continues to be the butt of jokes of latter day stand-up comedians. In 2007, the Shah Rukh Khan film ''Om Shanti Om'' featured the lead character pretending to be Manoj Kumar so as to sneak into a movie premiere, by holding his hand over his face. Kumar filed a lawsuit, which was settled out of court.
Nominated
| Year | ||||
| 1957 | Fashion (1957 film)>Fashion'' | |||
| rowspan="2">1958 | ''Panchayat''| | |||
| ''Sahara'' | ||||
| 1959 | ''Chand''| | |||
| 1960 | ''Honeymoon''| | |||
| rowspan="3" | 1961 | ''Suhaag Sindoor''| | ||
| ''Kaanch ki gudiya'' | ||||
| ''Reshmi rumal'' | ||||
| rowspan="7" | 1962 | ''Hariyali Aur Rasta''| | Shanker | Mala Sinha/Shashikala |
| ''Dr Vidya'' | ||||
| ''Shaadi'' | ||||
| ''Banarsi Thug'' | Shyam | |||
| ''Maa beta'' | ||||
| ''Piya milan ki aas''' | ||||
| ''Naqli nawab'' | ||||
| rowspan="3" | 1963 | ''Apna bana ke dekho''| | ||
| ''Ghar basake dekho'' | ||||
| ''Grahasti'' | ||||
| rowspan="3" | 1964 | ''Apne huye paraye''| | ||
| ''Woh Kaun Thi?'' | Dr Anand | |||
| ''Phoolon Ki Sej'' | ||||
| rowspan="4" | 1965 | ''Shaheed (1965 film)Shaheed'' || | Shaheed-e-Azam Bhagat Singh | |
| ''Himalaya Ki God Mein'' | Sunil Mehra | |||
| ''Gumnaam'' | Anand | |||
| ''Poonam Ki Raat'' | ||||
| rowspan="3" | 1966 | ''Do Badan''| | Vikas | Asha Parekh |
| ''Saawan Ki Ghata'' | ||||
| ''Saajan'' | ||||
| rowspan="3" | 1967 | ''Patthar Ke Sanam''| | Rajesh | Waheeda Rehman/Mumtaz |
| ''Anita (1967 film) | Anita'' | Neeraj | ||
| ''Upkaar'' | Bharat | |||
| rowspan="2" | 1968 | ''Neel Kamal (1968 film)Neel Kamal'' || | Ram | Waheeda Rehman |
| ''Aadmi (1968 film) | Aadmi'' | Dr Shekhar | ||
| rowspan="4" | 1970 | ''Purab Aur Paschim''| | Bharat | Saira Banu |
| ''Yaadgar'' | Banu | |||
| ''Pehchan'' | Gangaram | |||
| ''Mera Naam Joker'' | David | |||
| rowspan="2" | 1972 | ''Shor (film)Shor'' || | Shankar | Nanda/Jaya Bachchan |
| ''Be-Imaan'' | Mohan | |||
| 1974 | ''Roti Kapda Aur Makaan''| | Bharat | Zeenat Aman/Moushumi Chatterji | |
| 1975 | ''Sanyasi (1975 film)Sanyasi'' || | Ram Rai | Hema Malini | |
| 1976 | ''Dus Numbri''| | Arjun | Hema Malini | |
| 1981 | ''Kranti''| | Bharat/Kranti | Hema Malini | |
| 1987 | ''Kalyug Aur Ramayan''| | Pawan Putra (Shri Hanuman) | Madhavi | |
| rowspan="2" | 1989 | ''Santosh''| | Santosh Singh | |
| ''Clerk (1989 film) | Clerk'' | Bharat | ||
| 1995 | ''Maidan-E-Jung''| | Master Dinanath |
Category:1937 births Category:Indian actors Category:Living people Category:Indian film directors Category:Indian screenwriters Category:Hindi-language film directors Category:Filmfare Awards winners Category:Indian film actors Category:Hindi film actors Category:People from Abbottabad Category:University of Delhi alumni Category:Indian Hindus
fr:Manoj Kumar gu:મનોજ કુમાર it:Manoj Kumar kn:ಮನೋಜ್ ಕುಮಾರ್ ml:മനോജ് കുമാർ mr:मनोज कुमारThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
| Name | Asia Bibi |
|---|---|
| Birth name | Asia Noreen |
| Birth date | c. 1971 |
| Resting place coordinates | |
| Nationality | Pakistani |
| Footnotes | }} |
Asia Noreen (Urdu: آسیہ نو رین, better known as Asia (also spelled Aasiya) Bibi, Urdu: آسیہ بی بی, born c. 1971) is a Pakistani Christian woman who was convicted by a Pakistani court of blasphemy, receiving a sentence of death by hanging. The verdict, which would need to be upheld by a superior court, has received worldwide attention. If executed, Noreen would be the first woman in Pakistan to be lawfully killed for blasphemy. Christian minister Shahbaz Bhatti and Pakistani government politician Salmaan Taseer were both assassinated for opposing the blasphemy laws.
"There had already been a running feud between Noreen and a neighbour about some property damage. Later some coworkers complained to a cleric that Noreen made derogatory comments about Prophet Muhammad. A mob came to her house, beating her and members of her family before she was rescued by the police. However, the police initiated an investigation about her remarks, resulting in her arrest and prosecution under Section 295 C of the Pakistan Penal Code. She spent more than a year in jail. In November 2010 Muhammed Naveed Iqbal, judge at the court of Sheikhupura, Punjab, sentenced her to death by hanging. Additionally, a fine of an equivalent of $1,100 was imposed.
Noreen's husband, Aashiq Fauji Masih, 51 years old, plans to appeal the verdict, which has to be upheld by the Lahore High Court.
Pakistan's Minority Affairs Minister Shahbaz Bhatti, the only Christian member of Pakistan's cabinet, was also assassinated, on March 2, 2011, reportedly also for his position on blasphemy laws. He was shot dead by gunmen who ambushed his car near his residence in Islamabad.
Category:Living people Category:1971 births Category:Pakistani Christians Category:People convicted of blasphemy Category:Pakistani prisoners sentenced to death Category:Islam-related controversies Category:Punjabi people Category:People from Sheikhupura District
de:Asia Bibi es:Asia Bibi fr:Affaire Asia Bibi it:Asia Bibi nl:Asia BibiThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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